Reza Monahan Studio investigates the intersections of language and cinema through time-and space-based projects, opening up ideas of light, rhythm, and design. The practice generates contemporary artworks that highlight the volumetric, curvilinear, and oblique qualities inherent in diverse mediums. In turn, Monahan attempts to express what he calls “Meta-Kinesthetics,” placing himself within traditions of the Haptic, a philosophical state of being 20th century French philosopher, Maurice Merleau-Ponty equates to “felt phenomenology.”